Everything I know about cleaning

Hercules rerouting the rivers Alpheus and Peneus to clean the Augean stables, Roman mosaic, 3rd century AD. The Fifth Labor of Hercules was intended to be humiliating and impossible, since the livestock were divine and produced enormous quantities of manure. No metaphor there.

I am trying to put my house and studio in order after months on the road.

There are those who might think this should be blank, because I don’t know anything about cleaning, but they would in fact be wrong. Most orderly people don’t need to think about how they keep things up; I have to think about it a great deal.

1. Be driven by process, not results: King Augeas' stables are very dirty and if you’re not Hercules, the only way to get them clean is to plug along despite how little progress it appears you are making. Yesterday I managed to get half a room finished; I was stalled by the piles of receipts and bills that needed attention on the dining room table. I can either be driven nuts by this, or I can just plug along until I finish.
2. Actually put stuff away. That really slows you down—especially if you think the stuff has no place—but in the end it’s far more effective than moving piles of stuff from point to point.
3. Or get rid of stuff. We 21st century Americans are drowning in material goods. To me there’s energy and potential in open space.
4. Clean the perimeter first, starting at one point and working your way around the room. I read this in a book about professional cleaning, and it really works. I think it’s a continuation of point #1: if you’re looking at the walls, you can’t be driven nuts by your current lack of results.
5. Don’t clean what isn’t dirty. Don’t straighten what isn’t messed up.
6. Do all cleaning in a single pass. I am lucky enough to have modern windows, and I clean them whenever I clean my rooms. It’s dumb to pull the furniture out to vacuum and then not do the crown-molding, the windows, and the chair rails.
7. Once you get one corner of your space clean, protect it; it’s a place to retreat when you lose your mind. Normally, this is the second floor of my house, which I generally keep pretty tidy. However, my peripatetic paintings from the RIT show seem to be wandering around up there looking for a home. So for now, I’m taking solace in the fact that my freezer—which was full of ice because someone had neglected to pull the door totally closed—is now immaculate. Even that small rectangle of order is enough to prevent me from losing my mind.

Hercules takes a break, Attic black figure skyphos, c. 500 B.C. The goddess Athena is pouring him a cup of wine. (Mount Holyoke College Art Museum)

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Mastering chaos

Francis Bacon is the icon of messy-studio advocates. He was renowned as much for the awful state of his studio as for his brilliant painting, but he did occasionally attempt to clear it. Electrician Mac Robertson was working at Bacon’s studio when he saw the artist disposing of ephemera. He asked to keep it, and thirty years later, sold it for more than a million dollars. There's a lesson in that, but I hardly know what it is. 

For the first time since June I am home without another trip (planned or emergency) on my immediate horizon. It’s autumn and my favorite season to paint, and I will get outside to do that, but my primary goal has to be to pull my studio and home in order for fall.

There is a myth that creatives enjoy working in chaos, but that isn’t true. All people tend to create messes when in the throes of work, but most of them understand that when they are finished, they need to clean them up. Creating order doesn’t come easily to me, but as an adult I’ve learned it’s the only way I can be productive.

Contemporary Australian painter McLean Edwards continues the Bacon tradition in his Sydney studio. If I were his mother, I'd tell him to clean that mess up, and to stop drinking while painting.

I think this idea of the messy artist is a continuation of the myth of artists-as-geniuses, and it actually stops many people from being as productive as they might otherwise be. The vast majority of us do not thrive in chaotic working and living conditions. I’ve been in many of my peers’ studios, and most of them are sensible, organized workrooms. (In some cases, what an outsider perceives as clutter is actually just order in a very small space.)

I would normally “reset” my studio and workshop in the early fall anyway—go through my stock, winnow supplies, and reorganize shelves. For me, chaos effectively blanks out all thinking, and I like the idea of spring and fall cleaning.

To the contrary, note that Jackson Pollock's chaos was pretty much confined to his canvases. 

This year, it’s worse, because my RIT show was pulled for being obscene, and the work ended up stacked in the middle of my studio floor. At a loss about how to put it away in a hurry, I moved it to my bedroom, where it’s still in the way. Until I get it properly stored, there’s no easy living in my house.

On top of that, there are three months of mail to go through, and three months of dirt to vacuum. (My family did a decent job of maintaining order, but the finer points of housekeeping are beyond them.)

Message me if you want information about next year’s classes and workshops.